Tuesday, November 29, 2011

battle hymn of the tiger mother





I think Amy Chua is what Wonder Woman would be like if she became a mom. Harvard-educated, with a high-profile husband, a lifestyle that includes frequent travels around the world, and children who are straight-A students and music prodigies. One child, a pianist, performed at Carnegie Hall. The other is a violinist who would later give it up to play tennis.


She has a family of super-achievers. Her story is both inspiring and daunting. It makes you think about the way one mother's force can make her children achieve glory, and it makes you want to say, Why not me? What mother would not want her child in the spotlight, the one being applauded instead of the one who applauds?


You have to give it to her for sheer persistence, but what I truly admire is the way she did it with her children. Learning piano and violin lessons with them, so that she could better teach them at home. So that they could practice to perfection. I cannot imagine holding a full-time job, then rushing off to one practice or another, and supervising the school work as well.


And then for all the effort, there's the question: who do you do it for? For all the trophy children out there, for the most part it's the parent who gets showered with praise. You did a good job! What fine children you raised! You must be very proud! There's an uncomfortable thought that you drive your children to achieve because it's proof of your greatness as a mother.


I once wrote a story in Reader's Digest, about growing up in my grandmother's house. I called her a tyrant; she was a 'Chinese mother.' I hated her for making me take piano lessons and ballroom-dancing sessions in the summer while the other children played. I hated her when I always had to get first prize in quiz bees. I hated her when she sent me to Manila when I was thirteen-- by myself-- to study high school there, while my classmates stayed in the little town and got boyfriends.


No, I did not become a famous pianist, or a great dancer, or the most expensive psychiatrist. I have not traveled around the world. I am only a working blogging mom with two daughters. But what the Tiger Mother says and what my tyrant grandmother taught me is that it can be done. A mother like that succeeds in teaching her child that one can always do more; one can always be more than what she is.


And what mother wouldn't love to do just that?






Monday, November 14, 2011

messenger





In the middle of the forest, far enough away from everything else, lay Village. It was a peaceful place, and a healing place. People from other places came there, but not just ordinary people. They were the ones who were hurt, or disabled, or ostracized. And Village welcomed them, made them well, and gave them a new life.


Village has Leader, a wise young man who could see beyond things. He had pale blue eyes, and maybe you'd recognize him from The Giver. Then they had Seer, a man who had been brutally blinded in his previous village. And they had Matty, who had not received his proper name yet, but who wished it could be Messenger. His job is to go places, bring messages, and navigate Forest, which no other person could do.


Forest is alive. It kills. It gives a Warning to people who enter it, and once you get a Warning, you should never enter it again. Seer has had that Warning. But Matty had never been harmed in Forest, and he considers it his friend.


Something ugly has come to Village. Kind people became cruel. There was sickness, and sadness, and hatred. And the people voted that Village be closed to visitors. Leader sent Matty to bring messages to the path and to the other places that Village will be closed. Seer sent him with a different mission: to bring his daughter Kira home.


Matty goes out on a dangerous journey, and it is where he discovers his true gift. It is where he is given his real name.


A lovely story to close the trilogy. But to me, The Giver is still the most amazing of it all. You keep wanting it to be more, to take you farther. You wish it were a thousand pages long, more like Stephen King's Dark Tower series. :-)






gathering blue



Lois Lowry's Gathering Blue gives you the life of Kira, a deformed girl living in a village that appears to be inhabited by the strong and the savage. When her mother suddenly died, she was rescued from certain death by the council of the Elders, who rule the village. She was taken care of, clothed and fed, and given her mother's old task of repairing the Singer's Robe.



The Robe is crucial, because it tells the story of the times before. It tells, in the intricate designs embroidered on it, of the start of time, when birds and trees flourished, and man was happy. Then man started building, and the bigger things he built, the greater was the destruction that followed. There was war, and ruin, and afterwards, man would build again.



Every year this story is sung by the Singer. He wears the Robe that Kira is repairing. But Kira, for all her incredible skills as a threader, did not have the color blue. There is an old woman who knows where the blue is, but it lies far beyond their village.


In the confines of the building where Kira is housed, she discovers Thomas the carver, whose work is the repair of the Singer's staff. The Singer carries the intricately carved staff to help him remember the Song every year. Kira also discovers Jo, a little girl whose songs are said to be magical.


Kira discovers a safe, comfortable life, where her every need is given to her, in exchange for her work on the Robe. She has her new friends, Thomas the carver and Jo the singer, and an old friend from her old life in the village, Matt.


Then Matt, a mostly wild, mostly neglected child, decides that he wanted to bring Kira the blue she needs. What he succeeds in bringing Kira shatters her comfortable world, and makes her question the things she had always believed in.


I read this book because I read The Giver, and I guess I was searching for answers on what could possibly have happened to Jonas. I still don't have the answers, but I was hooked on another great story. I read it all online, on OnRead.com. Check out their great selection. Next on my list, Messenger, still by Lois Lowry.

Friday, November 11, 2011

the giver





There's a place where there are no cars, only bicycles. A place where you have to request for a spouse, and a Committee decides if you're qualified to have one. You request for a child, and you are permitted only two: one boy and one girl. A child is not born to a family; it is issued.


In that place no one cooks; meals are delivered at mealtimes and trays are collected afterwards at the door. All little girls are required to wear hair ribbons. There are no birthdays. When you become a Twelve, your job for life is given to you: Nurturer, Laborer, Engineer, Birthmother, Storyteller.


The genetic engineers have made Sameness possible. There is no threat, no risk, no fights, no choice, no change in routine. There are not even hills in the community, no animals, no rain, no snow, no sunshine.


There's a person called the Receiver, who keeps the memories from back and back and back. He holds a very special position in the community. He advises the Elders based on the memories he keeps. He alone knows about colors, about music, about feelings. He alone knows about war, and pain, and hunger, and death. He alone knows love. No one else.


And there's a boy, selected as the new Receiver, who will be trained to be the new keeper of memories. And the boy decides to make a difference.



the blind lady on the bus

Last Monday I took the bus home. It was one of those rides where I waited 20 minutes for the bus to arrive, and when I boarded by the MRT Ortigas Station there were only five people in the bus. When we got to Crossing barely 5 minutes later, people were already standing in the middle of the bus. And Monday was a non-working holiday.

In Guadalupe a lady came to the bus, accompanied by a couple of friends. The conductor shouted, "Standing na!" One of the companions said, "Naku, hindi po sya nakakakita." Then they helped her up the bus steps and left her.

I was surprised. The lady obviously was used to traveling alone, because she boarded the bus confidently. The conductor said, "Paano yan, tatayo ka na."

The man sitting beside me, on the window side, immediately stood up and gave his seat to the lady. It would be a long ride; I would be one of the first to get off, and that's an hour away. The man was the kind of person I'd pay close attention to. He didn't look like someone I could trust. He had been eating when I sat beside him, and he was eating when he gave up his seat; empanada with catsup, peanuts, crackers. (But then, I don't trust anyone when I'm commuting. Even innocent four-year-old seatmates can vomit in your lap.)

The lady felt her way to the seat and I helped her. She started feeling around for her things; a wrist purse, a large bag from where she pulled a foldable cane, her phone. She called the phone and told someone she's on the bus; I noticed she used speed-dial.

She had a pleasant face. She had long eyelashes. You wouldn't notice that she was blind, only that she felt everything around her, the bus window ledge, the curtain, the bar in front of her, before she settled down. Then she pulled out a hundred-peso-bill. She asked me, "Ma'am, how much is this?"

The conductor eventually came, loud and overbearing, and she asked him where the last stop is. She wanted to know if the bus would stop by a certain subdivision near SM Dasmarinas. The conductor said no, the bus would stop only along the highway, and the subdivision is on the other side of the road.

It was quiet in the front of the bus as the people digested this. One person said it would be good if another passenger would take the same stop, so she could be helped. Another said that maybe there would be a traffic enforcer to help her cross.

The conductor counted out her change and gave it to me, along with her ticket. I counted the money again, told her how much it is, and gave her the ticket. She carefully put it in her purse, and thanked me.

Then the conductor said the bus could stop near the subdivision, and he would take her across the road. He then shouted to the driver if that was ok. The driver shouted back that it was.

The lady smiled and said thanks. Everyone looked relieved. Some of us were smiling.

Every now and then the lady would ask where we were now. A man, squeezed behind the bus door with his face almost in the glass, would answer. Near MOA. Coastal Road.

It was an unusual thing: a blind lady who takes the bus alone at night. But the more striking thing about it is the response of the people, people like me who are so used to the uncaring atmosphere of jampacked buses, the rude drivers and conductors who would scold you if you had too many bags, the men who looked like thieves or sex maniacs, your seatmate who gave you dagger looks if your kid wouldn't stop whimpering or-- heaven forbid-- vomited.

We all had worries, but for the moment, we were all diverted to the concern of one woman who had to get safely home, who entrusted her well-being to everyone around her. I had to get off the bus, and I told her so. I told her to take care. Another woman took my seat, and she told me that she could tell the blind lady if she was nearing SM Dasmarinas already. We smiled at each other, and I was gone.

It takes one blind lady on the bus, and you can still believe in the basic goodness of people.